A-Wgm: Austria, Vienna, Gesellschaft der Musikfreunde in Wien, Bibliothek

Impressions

• RONDO OPUS 1: 1–1-HO, 1–1b-A&P
• VARIATIONS OPUS 2: 2–1d-A&P
• POLONAISE FOR PIANO AND CELLO OPUS 3: 3–1a-ME
• RONDO OPUS 5: 5–1i-HO
• MAZURKAS OPUS 6: 6–1-KI, 6–2a-KI, 6–2c-KI, 6–1h-A&P
• MAZURKAS OPUS 7: 7–1-Sm, 7–1a-KI, 7–3-KI, 7–4-KI, 7–1k-A&P
• TRIO OPUS 8: 8–1-KI, 8–1c-KI
• NOCTURNES OPUS 9: 9–1a-KI, 9–1c-KI, 9–2-KI, 9/2–2a-KI, 9–3-KI, 9–3b-KI, 9/1&2–1e-A&P, 9/3–1d-A&P
• ETUDES OPUS 10: 10/1-6–2-KI, 10/1-6–3a-KI, 10/7-12–3-KI
• CONCERTO OPUS 11: 11–1d-BR, 11–1a-KI, 11–1a*-KI, 11–1b-A&P
• VARIATIONS OPUS 12: 12–1a-LE, 12–1a-B&H, 12–1c-B&H
• FANTASY OPUS 13: 13–1b-KI, 13–1c-A&P
• RONDO OPUS 14: 14–1b-KI, 14–1b-A&P
• NOCTURNES OPUS 15: 15–1a-B&H, 15–1b-B&H, 15–2-B&H, 15–2g-B&H, 15–2h-B&H, 15–1g-A&P
• RONDO OPUS 16: 16–1e-A&P
• MAZURKAS OPUS 17: 17–2e-B&H, 17–1e-A&P
• WALTZ OPUS 18: 18–2-B&H
• BOLERO OPUS 19: 19–1e-A&P
• SCHERZO OPUS 20: 20–1-B&H, 20–1c-B&H, 20–1d-B&H, 20–1d-A&P
• CONCERTO OPUS 21: 21–1-B&H, 21–1a-B&H, 21–1b-B&H, 21–1f-B&H, 21–2-B&H, 21–1c-A&P
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–2a-B&H, 22–2e-B&H, 22–1f-A&P
• BALLADE OPUS 23: 23–1a-B&H, 23–1c-B&H, 23–1h-B&H
• MAZURKAS OPUS 24: 24–1a-B&H, 24–1b-B&H, 24–2-B&H, 24–2a-B&H, 24–2c-B&H, 24–1g-A&P
• ETUDES OPUS 25: 25/1-6–1b-B&H, 25/1-6(sep)–1c-B&H, 25/1-6–2b-B&H, 25/7-12–1-B&H, 25/7-12–2-B&H, 25/7-12–2e-B&H
• POLONAISES OPUS 26: 26–1a-B&H, 26–2c-B&H, 26–3a-B&H, 26–3f-B&H, 26–1d-A&P
• NOCTURNES OPUS 27: 27–1b-B&H, 27–1e-B&H, 27–1f-B&H, 27–1h-A&P
• PRELUDES OPUS 28: 28–1b-B&H, 28–1c-B&H, 28–1e-B&H, 28–1j-B&H, 28/1-14–1f-A&P, 28/15-24–1f-A&P
• IMPROMPTU OPUS 29: 29–1b-B&H, 29–2a-B&H, 29–2c-B&H, 29–2d-B&H, 29–2f-B&H, 29–1h-A&P
• MAZURKAS OPUS 30: 30–1a-B&H, 30–1c-A&P
• SCHERZO OPUS 31: 31–1e-A&P
• NOCTURNES OPUS 32: 32/1–1b-Sam, 32/1–2-Sam, 32/1–3a-Sam, 32/2–1-Sam, 32–3a-Sam, 32–1l-A&P
• MAZURKAS OPUS 33: 33–1b-B&H, 33–2a-B&H, 33–2b-B&H, 33–1h-A&P
• WALTZ OPUS 34 NO. 1: 34/1–1-B&H, 34/1–2a-B&H, 34/1–2b-B&H
• WALTZ OPUS 34 NO. 2: 34/2–1-B&H, 34/2–1a-B&H, 34/2–3-B&H, 34/2–3a-B&H
• WALTZ OPUS 34 NO. 3: 34/3–1-B&H, 34/3–1a-B&H, 34/3–1d-B&H, 34/3–1f-B&H
• SONATA OPUS 35: 35–1-B&H, 35–1a-B&H, 35–1f-B&H, 35–1c-A&P
• IMPROMPTU OPUS 36: 36–1g-B&H, 36–1c-A&P
• NOCTURNES OPUS 37: 37–1a-B&H, 37–1d-A&P
• BALLADE OPUS 38: 38–1-B&H
• SCHERZO OPUS 39: 39–1b-B&H, 39–1c-A&P
• POLONAISES OPUS 40: 40–2a-B&H, 40–2d-B&H, 40–1h-A&P
• MAZURKAS OPUS 41: 41–1a-B&H, 41–2-B&H, 41–2a-B&H, 41–1d-A&P
• WALTZ OPUS 42: 42–2b-B&H, 42–2c-B&H
• TARANTELLA OPUS 43: 43–1-SCHU, 43–2a-SCHU, 43–1d-A&P
• POLONAISE OPUS 44: 44–1b-A&P
• PRELUDE OPUS 45: 45–1b-A&P
• ALLEGRO DE CONCERT OPUS 46: 46–1-B&H, 46–1b-A&P
• BALLADE OPUS 47: 47–1-B&H, 47–1c-B&H
• NOCTURNES OPUS 48: 48–1-B&H, 48/1–1c-A&P, 48/2–1a-A&P
• FANTASY OPUS 49: 49–1-B&H
• MAZURKAS OPUS 50: 50/1–2-Sm, 50–1-ME, 50–2-ME, 50–1d-A&P
• IMPROMPTU OPUS 51: 51–1a-A&P
• POLONAISE OPUS 53: 53–1-B&H, 53–2-B&H, 53–1f-A&P
• SCHERZO OPUS 54: 54–1-B&H, 54–1a-A&P
• NOCTURNES OPUS 55: 55–1-B&H, 55–1d-A&P
• MAZURKAS OPUS 56: 56–1-B&H, 56–1a-B&H
• BERCEUSE OPUS 57: 57–1a-MEIj, 57–2f-B&H, 57–2g-B&H, 57–1g-A&P
• SONATA OPUS 58: 58–1-B&H, 58/2–1a-B&H, 58–1c-B&H, 58–1c-A&P
• MAZURKAS OPUS 59: 59–1c-F
• BARCAROLLE OPUS 60: 60–1-BR, 60–1a-B&H, 60–1b-A&P
• POLONAISE-FANTASY OPUS 61: 61–1a-B&H, 61–1c-A&P
• NOCTURNES OPUS 62: 62/2–1a-BR, 62–1-B&H, 62–1a-A&P
• MAZURKAS OPUS 63: 63–2a-B&H, 63–2b-B&H
• WALTZES OPUS 64: 64–2-B&H
• WALTZ OPUS 64 NO. 1: 64/1–1a-BR
• SONATA FOR PIANO AND CELLO OPUS 65: 65–1-B&H
• POSTHUMOUS WORKS OPUSES 66–73: Posth–1c-Sam
• FANTASY-IMPROMPTU OPUS 66: 66–1c-GE, 66–1b-Sam, 66–3a-Sam, 66–4b-Sam
• WALTZES OPUS 69: 69–2a-Sam, 69–2c-Sam
• WALTZES OPUS 70: 70–1f-Sam
• RONDO OPUS 73: 73–1b-Sam
• SONGS OPUS 74: 74/10–1a-KO,74/1–1a-KO, 74–1g-H
• GRAND DUO CONCERTANT FOR PIANO AND CELLO: GDC–1b-Sm, GDC–1-Sam
• MAZURKA FROM LA FRANCE MUSICALE: MFM–2-BR
• 3 ETUDES FROM MÉTHODE DES MÉTHODES: MM–1a-Sam
• WALTZ IN E MINOR: WaltzEm–1b-SCH, WaltzEm–1c-SCH, WaltzEm–1d-SCH