A-Wn: Austria, Vienna, Österreichische Nationalbibliothek, Musiksammlung

Impressions

• RONDO OPUS 1: 1–1c-Sam, 1–1-HO, 1–1a-HO, 1–1-Sm, 1–1a-BR
• VARIATIONS OPUS 2: 2–1-HAt, 2–1b-HAt, 2–1d-HAt, 2–2-HAt, 2–2a-HAt, 2–2b-Sam, 2–1(Orch)-HAt
• POLONAISE FOR PIANO AND CELLO OPUS 3: 3–1-ME, 3–1a-ME
• SONATA OPUS 4: 4–1-HAc
• RONDO OPUS 5: 5–1-HO, 5–1g-HO, 5–1c-A&P, 5–1-SC
• MAZURKAS OPUS 6: 6–1a-Sm, 6–1-KI, 6–1a-KI, 6–2a-KI, 6–3-KI, 6–4b-KI, 6–1-W
• MAZURKAS OPUS 7: 7–1-Sm, 7–1a-KI, 7–6b-KI
• TRIO OPUS 8: 8–1a-Sm, 8–1a-KI, 8–1c-KI
• NOCTURNES OPUS 9: 9–1a-Sm, 9–1e-BR, 9–1a-KI, 9–1c-KI, 9/2–1d-KI, 9–2-KI, 9/2–3-KI, 9–3a-KI, 9–3b-KI, 9–3c-KI
• ETUDES OPUS 10: 10–1-Sm, 10/1-6–1a-KI, 10/1-6–3b-KI, 10/7-12–1-KI, 10/7-12–3-KI, 10/1-6–1e-W, 10/7-12–1b-W
• CONCERTO OPUS 11: 11–1-Sm, 11–1(Orch)-Sm, 11–1a-KI, 11–1a*-KI
• VARIATIONS OPUS 12: 12–1-Sm, 12–1a-B&H, 12–1d-B&H, 12–1e-B&H
• FANTASY OPUS 13: 13–1a-Sm, 13–1-KI, 13–1b-KI, 13–2a-KI, 13–1(Orch)-KI
• RONDO OPUS 14: 14–1-KI, 14–1a-KI, 14–1c-KI, 14–1(Orch)-KI
• NOCTURNES OPUS 15: 15–1b-Sm, 15–1c-BRg, 15–1-B&H, 15–2-B&H, 15–2b-B&H, 15–2g-B&H
• RONDO OPUS 16: 16–1b-Sm, 16–1d-BR&D, 16–1a-B&H, 16–1c-B&H, 16–1d-B&H
• MAZURKAS OPUS 17: 17–2-B&H, 17–2h-B&H
• WALTZ OPUS 18: 18–1a-Sm, 18–1-B&H, 18–3-B&H
• BOLERO OPUS 19: 19–1a-PE, 19–1b-PE
• SCHERZO OPUS 20: 20–1-B&H, 20–1a-B&H, 20–1c-B&H
• CONCERTO OPUS 21: 21–1a-B&H
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–1b-B&H, 22–2a-B&H, 22–2d-B&H
• BALLADE OPUS 23: 23–1c-B&H, 23–1e-B&H, 23–1f-B&H, 23–2-B&H
• MAZURKAS OPUS 24: 24–1-Sm, 24–1-B&H, 24–2d-B&H
• ETUDES OPUS 25: 25/1-6(sep)–1c-B&H, 25/1-6–1d-B&H, 25/1-6(sep)–2a-B&H, 25/1-6–2d-B&H, 25/1-6(sep)–2f-B&H, 25/1-6–2g-B&H, 25/7-12–2-B&H, 25/7-12–2b-B&H, 25/1-6–1f-W
• POLONAISES OPUS 26: 26–1c-Sm, 26–1d-BR, 26–1a-B&H, 26–3-B&H
• NOCTURNES OPUS 27: 27–1a-Sm, 27–1c-BR, 27–1-B&H, 27–1e-B&H, 27–1i-B&H, 27–1a-W
• PRELUDES OPUS 28: 28/1-12–1b-BR, 28/1-12–1g-BR, 28/13-24–1b-C, 28/13-24–1f-BR&D, 28–1-B&H, 28–1e-B&H, 28–1g-B&H, 28–1i-B&H
• IMPROMPTU OPUS 29: 29–1-Sm, 29–1b-BR, 29–1-B&H, 29–1b-B&H, 29–1c-B&H, 29–2-B&H, 29–2b-B&H, 29–2c-B&H
• MAZURKAS OPUS 30: 30–1b-Sm, 30–1c-B&H, 30–1d-B&H
• NOCTURNES OPUS 32: 32–1b-BRg, 32/1–1a-Sam, 32/1–1e-Sam, 32/1–2-Sam, 32/1–2b-Sam, 32/2–1-Sam, 32/2–1a-Sam, 32/2–2-Sam, 32–1b-W, 32/1–1h-W
• MAZURKAS OPUS 33: 33/1&2–1a-B&H, 33–2f-B&H, 33–1e-W
• WALTZ OPUS 34 NO. 1: 34/1–2-B&H
• WALTZ OPUS 34 NO. 2: 34/2–1b-B&H, 34/2–2-B&H, 34/2–1e-W
• WALTZ OPUS 34 NO. 3: 34/3–1c-B&H
• SONATA OPUS 35: 35–1b-B&H, 35/3–1c-B&H, 35–1d-B&H
• IMPROMPTU OPUS 36: 36–1a-TR, 36–1f-BR, 36–1a-B&H, 36–1c-B&H
• NOCTURNES OPUS 37: 37–1e-BR&D, 37–1-B&H, 37–1b-B&H, 37–1e-B&H
• BALLADE OPUS 38: 38–1a-B&H
• SCHERZO OPUS 39: 39–1b-BR, 39–1-B&H, 39–1c-B&H
• POLONAISES OPUS 40: 40–1c-BR, 40–1a-B&H, 40–2c-B&H
• MAZURKAS OPUS 41: 41–1-B&H, 41–2b-B&H, 41–2c-B&H
• WALTZ OPUS 42: 42–1-P, 42–1-B&H, 42–2b-B&H
• TARANTELLA OPUS 43: 43–1b-SCHU, 43–1c-SCHU, 43–2b-SCHU
• POLONAISE OPUS 44: 44–1b-BR, 44–1a-ME, 44–1d-ME, 44–2a-ME
• PRELUDE OPUS 45: 45–1-Sm, 45–2c-BR&D, 45–1-ME, 45–1a-ME, 45–1b-ME, 45–1d-ME
• ALLEGRO DE CONCERT OPUS 46: 46–1c-BRg, 46–1a-B&H
• BALLADE OPUS 47: 47–1a-Sm, 47–1-B&H, 47–1a-B&H
• NOCTURNES OPUS 48: 48/1–1a-Sm, 48/1–1b-BR&D, 48/1–1c-BR, 48/2–1a-Sm, 48/2–1b-Sm, 48/2–1e-BR, 48–1c-B&H
• FANTASY OPUS 49: 49–1c-BR, 49–1-B&H, 49–1a-B&H, 49–1c-B&H
• MAZURKAS OPUS 50: 50–2-ME
• IMPROMPTU OPUS 51: 51–1c-BR, 51–1-HO, 51–1a-HO, 51–1b-HO, 51–1c-HO
• BALLADE OPUS 52: 52–1a-Sm, 52–1-B&H
• POLONAISE OPUS 53: 53–1b-BR, 53–1-B&H, 53–2-B&H
• SCHERZO OPUS 54: 54–1-Sm, 54–1a-Sm, 54–1-B&H, 54–1a-B&H, 54–1c-B&H
• NOCTURNES OPUS 55: 55–1b-BR, 55–1-B&H, 55–1c-B&H
• MAZURKAS OPUS 56: 56–1-B&H, 56–1c-B&H
• BERCEUSE OPUS 57: 57–1a-MEIj, 57–1-B&H, 57–1a-B&H, 57–2d-B&H, 57–2f-B&H, 57–2g-B&H
• SONATA OPUS 58: 58–1-B&H, 58–1a-B&H, 58–1b-A&P
• MAZURKAS OPUS 59: 59–1-BR, 59–1a-ST, 59–1b-ST
• POLONAISE-FANTASY OPUS 61: 61–1a-BRg, 61–1-B&H, 61–1a-B&H
• NOCTURNES OPUS 62: 62–1-BR, 62/2–1a-BR, 62–1b-BR&D, 62–1-B&H, 62–2a-B&H
• MAZURKAS OPUS 63: 63–1b-BR, 63–1-B&H, 63–2d-B&H
• WALTZES OPUS 64: 64–1-B&H, 64–2-B&H
• WALTZ OPUS 64 NO. 1: 64/1–1-B&H, 64/1–2-B&H
• WALTZ OPUS 64 NO. 2: 64/2–1-B&H
• WALTZ OPUS 64 NO. 3: 64/3–1b-B&H
• SONATA FOR PIANO AND CELLO OPUS 65: +65–1-BR, 65–1b-BR, 65–1b-B&H, 65–1d-B&H
• POSTHUMOUS WORKS OPUSES 66–73: Posth–1-MEIf, Posth–1a-Sam, Posth–1c-Sam
• FANTASY-IMPROMPTU OPUS 66: 66–1-Sam, 66–3-Sam, 66–4d-Sam, 66–4h-Sam
• MAZURKAS OPUS 67: 67–1f-Sam
• MAZURKAS OPUS 68: 68–1-Sam, 68–1f-Sam
• WALTZES OPUS 69: 69–1-Sam, 69–2f-Sam
• WALTZES OPUS 70: 70/2&69/2–1b-WI, 70/2&69/2–1c-WI, 70–1a-COM, 70–1-Sam
• POLONAISE OPUS 71 NO. 1: 71/1–1b-GE, 71/1–1-Sam
• POLONAISE OPUS 71 NO. 2: 71/2–1a-GE, 71/2–1-Sam, 71/2–1b-Sam
• POLONAISE OPUS 71 NO. 3: 71/3–1a-GE, 71/3–1-Sam
• NOCTURNE, FUNERAL MARCH, 3 ECOSSAISES OPUS 72: 72–1-Sam, 72–1g-Sam
• SONGS OPUS 74: 74–1b-G, 74–1c-G, 74–1-Sam, 74–1f-Sam
• GRAND DUO CONCERTANT FOR PIANO AND CELLO: GDC–1a-Sm, GDC–1c-Sm, GDC–1-Sam, GDC–1b-Sam
• HEXAMERON: HEX–1-HAt, HEX–1a-HAt, HEX–1-BR
• MAZURKA DEDICATED TO EMILE GAILLARD: MEG–1b-B&B
• MAZURKA FROM LA FRANCE MUSICALE: MFM–1-SCH, MFM–1b-SCH, MFM–1c-SCH
• MAZURKA IN C MAJOR: MazC–1-K, MazC–1a-SCH
• MAZURKAS IN D, B-, G MAJOR, LENTO CON GRAN ESPRESSIONE: MazD,B-,G,Lento–1-L
• POLONAISE IN G MINOR: PolGm–1-CY
• POLONAISE IN G# MINOR: PolG#m–1c-SCH
• 3 ETUDES FROM MÉTHODE DES MÉTHODES: MM–1b-Sam, MM–2a-Sam, MM–2d-Sam
• VARIATIONS ON A GERMAN NATIONAL AIR: VGNA–1-HAc
• WALTZ IN E MAJOR: WaltzE–1-CHA
• WALTZ IN E MINOR: WaltzEm–1a-SCH, WaltzEm–1d-SCH