US-CAe: United States of America, Cambridge, MA, Harvard University, Eda Kuhn Loeb Music

Impressions

• NOCTURNES OPUS 9: 9–1c-KI
• ETUDES OPUS 10: 10/1-6–1a-KI, 10/7-12–1-KI
• MAZURKAS OPUS 17: 17–1a-B&H
• SCHERZO OPUS 20: 20–1-B&H
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–1a-B&H
• BALLADE OPUS 23: 23–1a-Sm
• MAZURKAS OPUS 24: 24–1-Sm, 24–1b-B&H
• ETUDES OPUS 25: 25/1-6–1b-B&H, 25/7-12–1-B&H
• POLONAISES OPUS 26: 26–1a-B&H
• NOCTURNES OPUS 27: 27–1b-B&H
• PRELUDES OPUS 28: 28–1a-B&H
• IMPROMPTU OPUS 29: 29–1b-B&H
• MAZURKAS OPUS 30: 30–1-Sm
• SCHERZO OPUS 31: 31–1a-B&H
• NOCTURNES OPUS 32: 32–1-Sm
• MAZURKAS OPUS 33: 33–1a-Sm
• WALTZ OPUS 34 NO. 1: 34/1–2-B&H
• WALTZ OPUS 34 NO. 2: 34/2–1d-B&H
• SONATA OPUS 35: 35–1b-B&H
• IMPROMPTU OPUS 36: 36–1a-B&H
• NOCTURNES OPUS 37: 37–1a-B&H
• BALLADE OPUS 38: 38–1a-B&H
• POLONAISES OPUS 40: 40–1a-B&H
• WALTZ OPUS 42: 42–1a-B&H
• POLONAISE OPUS 44: 44–1a-ME
• PRELUDE OPUS 45: 45–2a-Sm
• NOCTURNES OPUS 48: 48/1–1a-Sm
• FANTASY OPUS 49: 49–1-B&H
• MAZURKAS OPUS 50: 50–1a-Sm, 50–1-W&S
• IMPROMPTU OPUS 51: 51–1-Sm, 51–1-HO
• POLONAISE OPUS 53: 53–1-B&H
• NOCTURNES OPUS 55: 55–1-B&H
• BERCEUSE OPUS 57: 57–1a-MEIj
• MAZURKAS OPUS 63: 63–1-B&H
• WALTZ OPUS 64 NO. 1: 64/1–1-B&H
• WALTZ OPUS 64 NO. 2: 64/2–1-B&H
• RONDO OPUS 73: 73–1-Sam
• 3 ETUDES FROM MÉTHODE DES MÉTHODES: MM–2-Sam