GB-Ob: United Kingdom, Oxford, Bodleian Library
Impressions
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RONDO OPUS 1:
1–1a-HO
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VARIATIONS OPUS 2:
2–1c-HAt,
2–1-Sm,
2–1b-W
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SONATA OPUS 4:
4–1-HAc,
4–1-COC
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RONDO OPUS 5:
5–1c-HO,
5–1b-W
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MAZURKAS OPUS 6:
6–3-KI,
6–1c-W
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MAZURKAS OPUS 7:
7–1-Sm,
7–2-KI,
7–1g-W
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TRIO OPUS 8:
8–1-Sm,
8–1a-KI
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NOCTURNES OPUS 9:
9–1-KI,
9–1d-KI,
9–3-KI,
9/1&2–1c-W,
9/3–1b-W
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ETUDES OPUS 10:
10/1-6–1a-KI,
10/7-12–1-KI,
10/1-6–1c-W,
10/5–1d-W,
10/1-6–1f-A&P,
10/1-6–1i-A&P,
10/7–1a-W,10/10–1a-W
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CONCERTO OPUS 11:
11–1b-Sm,
11–1b-KI,
11–1b-A&P
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VARIATIONS OPUS 12:
12–1-Sm,
12–1a-B&H
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FANTASY OPUS 13:
13–1a-Sm,
13–1-W
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NOCTURNES OPUS 15:
15–1-B&H,
15–2-B&H,
15–1c-W
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RONDO OPUS 16:
16–1b-Sm,
16–1-B&H
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MAZURKAS OPUS 17:
17–1-B&H,
17–1-W,
17–1c-W
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WALTZ OPUS 18:
18–1a-Sm,
18–2-B&H,
18–1e-A&P
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BOLERO OPUS 19:
19–1a-PR,
19–1-W,
19–1b-W,
19–1d-A&P
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SCHERZO OPUS 20:
20–1a-Sm,
20–1-B&H,
20–1b-W
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CONCERTO OPUS 21:
21–1a-B&H,
21–1b-B&H,
21–1e-B&H,
21–1c-A&P
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ANDANTE SPIANATO AND POLONAISE OPUS 22:
22–1-B&H,
22–1c-A&P,
22–1e-A&P
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BALLADE OPUS 23:
23–1-B&H,
23–1a-B&H,
23–1g-B&H,
23–1a-W,
23–1e-A&P
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MAZURKAS OPUS 24:
24–1a-B&H,
24–1b-B&H,
24–1b-W
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ETUDES OPUS 25:
25/1-6–1a-B&H,
25/1-6–2a-B&H,
25/1-6(sep)–2h-B&H,
25/7-12–1a-B&H,
25/7-12–2-B&H,
25/1-6–1-W,
25/1–1d-W, 25/2–1d-W,
25/1-6–1h-A&P,
25/7-12–1-W,
25/7-12–1f-A&P,
25/9–1g-A&P
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POLONAISES OPUS 26:
26–1-B&H,
26–2-B&H,
26–2a-B&H,
26–2d-B&H,
26–1-W,
26–1b-W
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NOCTURNES OPUS 27:
27–1-Sm,
27–1a-Sm,
27–1a-B&H,
27–1d-W
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PRELUDES OPUS 28:
28–1-B&H,
28–1e-B&H,
28/15–1n-B&H,
28/1-14–1c-A&P
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IMPROMPTU OPUS 29:
29–1a-Sm,
29–1-B&H,
29–1-W,
29–1a-W,
29–1c-W
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MAZURKAS OPUS 30:
30–1-B&H,
30–1-W,
30–1b-W
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SCHERZO OPUS 31:
31–1a-BR,
31–1-B&H,
31–1a-B&H,
31–1-W,
31–1d-W
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NOCTURNES OPUS 32:
32–1-Sm,
32/1–1-Sam,
32–2a-Sam,
32–1-W,
32–1k-A&P
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MAZURKAS OPUS 33:
33/1&2–1a-B&H,
33–1b-B&H,
33–1-W,
33–1a-W,
33–1c-W
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WALTZ OPUS 34 NO. 1:
34/1–1a-Sm,
34/1–2a-B&H,
34/1–1-W,
34/1–1f-W,
34/1–1g-A&P
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WALTZ OPUS 34 NO. 2:
34/2–1-Sm,
34/2–2a-B&H,
34/2–3a-B&H,
34/2–1-W,
34/2–1c-W
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WALTZ OPUS 34 NO. 3:
34/3–1a-Sm,
34/3–1c-B&H,
34/3–1-W,
34/3–1c-W
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SONATA OPUS 35:
35–1-B&H,
35/3–1a-B&H,
35–1-W
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IMPROMPTU OPUS 36:
36–1-B&H,
36–1-W
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NOCTURNES OPUS 37:
37–1d-BR,
37–1-B&H,
37–1a-B&H,
37–1-W,
37–1c-A&P
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BALLADE OPUS 38:
38–1-B&H,
38–1a-B&H,
38–1-W
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SCHERZO OPUS 39:
39–1a-TR,
39–1-B&H,
39–1-W
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POLONAISES OPUS 40:
40–1-B&H,
40–1f-A&P
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MAZURKAS OPUS 41:
41–1a-B&H,
41–1-W
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WALTZ OPUS 42:
42–1a-B&H,
42–1-W,
42–1b-W
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TARANTELLA OPUS 43:
43–1b-BR,
43–1-W&S
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POLONAISE OPUS 44:
44–1-W&S
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PRELUDE OPUS 45:
45–1-ME,
45–1b-ME,
45–1-W&S,
45–1b-A&P
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ALLEGRO DE CONCERT OPUS 46:
46–1a-Sm,
46–1-B&H,
46–1a-W&S
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BALLADE OPUS 47:
47–1-B&H,
47–1-W&S,
47–1b-A&P,
47–1c-A&P
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NOCTURNES OPUS 48:
48–1-B&H,
48/1–1a-W&S,
48/2–1-W&S
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FANTASY OPUS 49:
49–1a-Sm,
49–1a-W&S
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MAZURKAS OPUS 50:
50–1-ME,
50–1a-W&S,
50–1b-W&S
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IMPROMPTU OPUS 51:
51–1-HO,
51–1-W&S
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BALLADE OPUS 52:
52–1a-Sm,
52–1-B&H,
52–1-W,
52–1a-A&P
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POLONAISE OPUS 53:
53–1-B&H,
53–1-W,
53–1e-A&P
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SCHERZO OPUS 54:
54–1a-Sm,
54–1-W
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NOCTURNES OPUS 55:
55–1-B&H,
55–1-W,
55/1–1c-W
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MAZURKAS OPUS 56:
56–1-B&H,
56–1-W
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BERCEUSE OPUS 57:
57–1a-MEIj,
57–1-B&H,
57–2-B&H,
57–1-W,
57–1a-W,
57–1b-W
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SONATA OPUS 58:
58–1-B&H,
58–1-W
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MAZURKAS OPUS 59:
59–1a-ST,
59–1-W
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BARCAROLLE OPUS 60:
60–1-BR,
60–1-B&H,
60–1-W,
60–1a-W
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POLONAISE-FANTASY OPUS 61:
61–1-BR,
61–1-B&H,
61–1-W
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NOCTURNES OPUS 62:
62–1-BR,
62–1-B&H,
62–2-B&H,
62–1-W
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MAZURKAS OPUS 63:
63/1–1-CRB
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WALTZ OPUS 64 NO. 1:
64/1–1-CRB,
64/1–1-W,
64/1–1d-A&P,
64/1–1e-A&P
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WALTZ OPUS 64 NO. 2:
64/2–1-CRB
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WALTZ OPUS 64 NO. 3:
64/3–1-BR
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SONATA FOR PIANO AND CELLO OPUS 65:
65–1d-B&H
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FANTASY-IMPROMPTU OPUS 66:
66–1d-GE,
66–2-Sam,
66–4c-Sam,
66–1-EW
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POLONAISE OPUS 71 NO. 2:
71/2–1b-Sam
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NOCTURNE, FUNERAL MARCH, 3 ECOSSAISES OPUS 72:
72–1d-Sam
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HEXAMERON:
HEX–1b-Sam,
HEX–1-BR
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MAZURKA FROM LA FRANCE MUSICALE:
MFM–1a-E,
MFM–1b-SCH,
MFM–1-W
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POLONAISE IN G# MINOR:
PolG#m–1-SCH
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3 ETUDES FROM MÉTHODE DES MÉTHODES:
MM–1a-CHAP
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VARIATIONS ON A GERMAN NATIONAL AIR:
VGNA–1-HAc
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WALTZ IN E MINOR:
WaltzEm–1-SCH