F-Pn: France, Paris, Bibliothèque nationale de France, Département de la Musique

Impressions

• RONDO OPUS 1: 1–1-Sm, 1–1a-BR
• VARIATIONS OPUS 2: 2–1-Sm
• POLONAISE FOR PIANO AND CELLO OPUS 3: 3–1-R, 3–1a-R, 3–1-Sm, 3–1c-BR, 3–1a-W
• SONATA OPUS 4: 4–1-R, 4–1-HAc
• RONDO OPUS 5: 5–1-HO
• MAZURKAS OPUS 6: 6–1b-Sm, 6–1c-BR
• MAZURKAS OPUS 7: 7–1-Sm, 7–2-BR
• TRIO OPUS 8: 8–1-Sm, 8–1-KI
• NOCTURNES OPUS 9: 9–1-Sm, 9–1d-BR
• ETUDES OPUS 10: 10–1-Sm, 10–1a-Sm, 10–1c-Sm, 10–1d-LE, 10–1e-LE
• CONCERTO OPUS 11: 11–1-Sm, 11–1a-Sm, 11–1b-Sm, 11–1d-BR, 11–1(Orch)-Sm
• VARIATIONS OPUS 12: 12–1-Sm
• FANTASY OPUS 13: 13–1-Sm, 13–1a-Sm
• RONDO OPUS 14: 14–1-Sm
• NOCTURNES OPUS 15: 15–1-Sm, 15–1b-Sm
• RONDO OPUS 16: 16–1b-Sm
• MAZURKAS OPUS 17: 17–1a-Sm
• WALTZ OPUS 18: 18–1-Sm, 18–1a-Sm, 18–1b-LE
• BOLERO OPUS 19: 19–1-PR, 19–1a-PR
• SCHERZO OPUS 20: 20–1-Sm, 20–1a-Sm
• CONCERTO OPUS 21: 21–1-Sm, 21–1a-Sm, 21–1c-BR, 21–1d-BR&D, 21–1(Orch)-Sm
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–1-Sm, 22–1a-Sm, 22–1c-BR
• BALLADE OPUS 23: 23–1-Sm, 23–1a-Sm
• MAZURKAS OPUS 24: 24–1-Sm, 24–1a-Sm
• ETUDES OPUS 25: 25–1-Sm, 25–1b-LE
• POLONAISES OPUS 26: 26–1-Sm, 26–1a-Sm, 26–1b-Sm
• NOCTURNES OPUS 27: 27–1-Sm, 27–1a-Sm
• PRELUDES OPUS 28: 28/1-12–1-C, 28/1-12–1a-C, 28/1-12–1c-BR, 28/1-12–1f-BR&D, 28/13-24–1-C, 28/13-24–1a-C, 28/13-24–1f-BR&D
• IMPROMPTU OPUS 29: 29–1-Sm, 29–1a-Sm
• MAZURKAS OPUS 30: 30–1-Sm, 30–1b-Sm
• SCHERZO OPUS 31: 31–1-Sm, 31–1a-BR
• NOCTURNES OPUS 32: 32–1-Sm, 32–1a-Sm
• MAZURKAS OPUS 33: 33–1-Sm, 33–1a-Sm, 33–1b-B&H
• WALTZ OPUS 34 NO. 1: 34/1–1a-Sm, 34/1–1b-BR
• WALTZ OPUS 34 NO. 2: 34/2–1-Sm, 34/2–2-BRD&C
• WALTZ OPUS 34 NO. 3: 34/3–1a-Sm
• SONATA OPUS 35: 35–0-TR, 35–1a-TR, 35–1b-TR, 35/3&4–2b-BR
• IMPROMPTU OPUS 36: 36–1-TR, 36–1b-TR, 36–1c-TR, 36–1e-BR
• NOCTURNES OPUS 37: 37–0-TR, 37–1-TR, 37–1a-TR, 37–1b-TR, 37–1c-BR
• BALLADE OPUS 38: 38–0-TR, 38–1-TR, 38–1a-TR, 38–1b-BR
• SCHERZO OPUS 39: 39–1-TR, 39–1b-BR
• POLONAISES OPUS 40: 40–0-TR, 40–1-TR
• MAZURKAS OPUS 41: 41–0-TR, 41–1-TR, 41–1a-TR
• WALTZ OPUS 42: 42–1-P, 42–1a-P
• TARANTELLA OPUS 43: 43–1-TR, 43–1a-TR, 43–1b-BR, 43–2b-SCHU
• POLONAISE OPUS 44: 44–1-Sm, 44–1a-Sm
• PRELUDE OPUS 45: 45–1-Sm, 45–2-Sm
• ALLEGRO DE CONCERT OPUS 46: 46–1-Sm, 46–1a-Sm, 46–1b-BR&D
• BALLADE OPUS 47: 47–1-Sm, 47–1a-Sm
• NOCTURNES OPUS 48: 48/1–1-Sm, 48/1–1a-Sm, 48/2–1-Sm, 48/2–1a-Sm, 48/2–1b-Sm
• FANTASY OPUS 49: 49–1-Sm, 49–1a-Sm, 49–1b-Sm
• MAZURKAS OPUS 50: 50–1-Sm, 50–1a-Sm, 50/1–2-Sm
• IMPROMPTU OPUS 51: 51–1-Sm, 51–1a-Sm
• BALLADE OPUS 52: 52–1-Sm
• POLONAISE OPUS 53: 53–1-Sm
• SCHERZO OPUS 54: 54–1-Sm, 54–1a-Sm
• NOCTURNES OPUS 55: 55–1-Sm, 55–1a-Sm
• MAZURKAS OPUS 56: 56–1-Sm, 56–1a-Sm
• BERCEUSE OPUS 57: 57–1-MEIj, 57–1a-MEIj
• SONATA OPUS 58: 58–1-MEIj, 58–1a-MEIj
• MAZURKAS OPUS 59: 59–1-BR, 59/2–1a-BR
• BARCAROLLE OPUS 60: 60–1-BR
• POLONAISE-FANTASY OPUS 61: 61–1-BR
• NOCTURNES OPUS 62: 62–1-BR, 62/2–1a-BR
• MAZURKAS OPUS 63: 63–1-BR, 63–1a-BR, 63–1b-BR
• WALTZ OPUS 64 NO. 1: 64/1–1-BR, 64/1–1a-BR
• WALTZ OPUS 64 NO. 2: 64/2–1-BR
• WALTZ OPUS 64 NO. 3: 64/3–1-BR
• SONATA FOR PIANO AND CELLO OPUS 65: 65–1-BR
• POSTHUMOUS WORKS OPUSES 66–73: Posth–1-MEIf, Posth–1b-GE
• FANTASY-IMPROMPTU OPUS 66: 66–1-MEIf
• MAZURKAS OPUS 68: 68–1-MEIf, 68/4–2-Sam
• WALTZES OPUS 69: 69–1d-GE
• RONDO OPUS 73: 73–1c-GE
• SONGS OPUS 74: 74–1b-Sam, 74–1-H, 74–1a-H, 74–1c-H, 74–2-H, 74/14–3-H
• GRAND DUO CONCERTANT FOR PIANO AND CELLO: GDC–1a-Sm
• HEXAMERON: HEX–1-HAt
• MAZURKA DEDICATED TO EMILE GAILLARD: MEG–1b-CH
• MAZURKA FROM LA FRANCE MUSICALE: MFM–1-E
• NOCTURNE IN C MINOR, WALTZ IN A MINOR: NocCm&WaltzAm–1-MA
• POLONAISE IN G# MINOR: PolG#m–1a-K
• 3 ETUDES FROM MÉTHODE DES MÉTHODES: MM–0-Sm, MM–1-Sm, MM–1a-Sm, MM–2-Sm, MM–2a-BR
• VARIATIONS ON A GERMAN NATIONAL AIR: VGNA–1-R, VGNA–1-HAc
• WALTZ IN E MINOR: WaltzEm–1e-SCH