GB-Lbl: United Kingdom, London, The British Library

Impressions

• RONDO OPUS 1: 1–1a-Sam, 1–1b-Sam, 1–1c-HO, 1–1-Sm, 1–1b-A&P
• VARIATIONS OPUS 2: 2–1c-HAt, 2–1d-HAt, 2–2-HAt, 2–1(Orch)-HAt, 2–1-Sm, 2–1-W
• POLONAISE FOR PIANO AND CELLO OPUS 3: 3–1a-ME, 3–1-W, 3–1d-Ae
• SONATA OPUS 4: 4–1-R, 4–1-HAc
• RONDO OPUS 5: 5–1b-HO, 5–1g-HO, 5–1a-W
• MAZURKAS OPUS 6: 6–1-Sm, 6–1-KI, 6–2c-KI, 6–4-KI, 6–1a-W, 6/1–1g-W, 6–2-Ae
• MAZURKAS OPUS 7: 7–2-BR, 7–1-KI, 7–4-KI, 7–6a-KI, 7–1b-W, 7–1j-A&P, 7–2-Ae
• TRIO OPUS 8: 8–1-Sm, 8–1c-KI
• NOCTURNES OPUS 9: 9–1b-Sm, 9–1a-KI, 9–1b-KI, 9–3b-KI, 9/1&2–1c-W, 9/3–1b-W
• ETUDES OPUS 10: 10–1a-Sm, 10–1d-LE, 10/1-6–1a-KI, 10/1-6–3a-KI, 10/7-12–1-KI, 10/7-12–3-KI, 10/1-6–1-W, 10/5–1d-W, 10/2–1e-W, 10/1-6–2-Ae, 10/7-12–1-W, 10/7–1a-W,10/10–1a-W, 10/7-12–2-Ae
• CONCERTO OPUS 11: 11–1b-Sm, 11–1b-KI, 11–1(Orch)-KI, 11–1-W
• VARIATIONS OPUS 12: 12–1-Sm, 12–1a-B&H, 12–1e-B&H, 12–1-CRA&B
• FANTASY OPUS 13: 13–1a-Sm, 13–2-KI, 13–1-W
• RONDO OPUS 14: 14–1-Sm, 14–1a-BR, 14–1b-KI, 14–1c-KI
• NOCTURNES OPUS 15: 15–1a-Sm, 15–1b-Sm, 15–1b-B&H, 15–2-B&H, 15–2a-B&H, 15–2h-B&H, 15–1c-W, 15/2–1d-W
• RONDO OPUS 16: 16–1c-Sm, 16–1a-B&H, 16–1d-B&H, 16–1c-W
• MAZURKAS OPUS 17: 17–1a-Sm, 17–1a-B&H, 17–2h-B&H, 17–1-W, 17–1b-W
• WALTZ OPUS 18: 18–1a-Sm, 18–2a-B&H, 18–1-W, 18–1b-W
• BOLERO OPUS 19: 19–1-PR, 19–1a-PE, 19–1-W, 19–1c-W
• SCHERZO OPUS 20: 20–1-Sm, 20–1-B&H, 20–1c-B&H, 20–1c-W
• CONCERTO OPUS 21: 21–1b-Sm, 21–1c-B&H, 21–2a-B&H, 21–1(Orch)-B&H, 21–1b-A&P, 21–1d-Ae
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–1-Sm, 22–1(Orch)-Sm, 22–2-B&H, 22–1c-B&H, 22–2c-B&H, 22–1-W, 22/AndanteSpianato–1b-W
• BALLADE OPUS 23: 23–1a-Sm, 23–1b-B&H, 23–1h-B&H, 23–2-B&H, 23–1d-W, 23–2-Ae
• MAZURKAS OPUS 24: 24–1-Sm, 24–1a-Sm, 24–1a-B&H, 24–2d-B&H, 24–1a-W, 24–2-Ae
• ETUDES OPUS 25: 25–1b-LE, 25/1-6–1-B&H, 25/1-6–1g-B&H, 25/1-6–2a-B&H, 25/1-6–2g-B&H, 25/7-12–2-B&H, 25/7-12–2e-B&H, 25/1-6–1d-W, 25/1–1d-W, 25/2–1d-W, 25/7-12–1e-A&P
• POLONAISES OPUS 26: 26–1b-Sm, 26–1-B&H, 26–1a-B&H, 26–3g-B&H, 26–1a-W
• NOCTURNES OPUS 27: 27–1-Sm, 27–1a-Sm, 27–1c-B&H, 27–1g-B&H, 27–1-W, 27/2–1c-W, 27–2-Ae, 27–2a-Ae
• PRELUDES OPUS 28: 28/1-12–1a-C, 28/13-24–1c-BR, 28–1b-B&H, 28–1f-B&H, 28–1k-B&H, 28/1-14–1b-W, 28/1-14–1e-A&P, 28/1-14–2-Ae, 28/15-24–1e-A&P, 28/15-24–2-Ae
• IMPROMPTU OPUS 29: 29–1a-Sm, 29–1a-B&H, 29–2-B&H, 29–2e-B&H, 29–1b-W
• MAZURKAS OPUS 30: 30–1-Sm, 30–1b-Sm, 30–1b-B&H, 30–1d-B&H, 30–1a-W
• SCHERZO OPUS 31: 31–1-Sm, 31–1a-BR, 31–1a-B&H, 31–1b-W
• NOCTURNES OPUS 32: 32–1-Sm, 32/1–2a-Sam, 32/2–2-Sam, 32–1d-W
• MAZURKAS OPUS 33: 33–1-Sm, 33/1&2–1a-B&H, 33–1b-B&H, 33–2-B&H, 33–2c-B&H, 33–1b-W, 33/4–1f-W
• WALTZ OPUS 34 NO. 1: 34/1–1a-Sm, 34/1–1c-B&H, 34/1–2a-B&H, 34/1–1e-W
• WALTZ OPUS 34 NO. 2: 34/2–2-BRD&C, 34/2–3d-B&H, 34/2–1d-W
• WALTZ OPUS 34 NO. 3: 34/3–1a-Sm, 34/3–1f-B&H, 34/3–1i-B&H, 34/3–1b-W
• SONATA OPUS 35: 35–1-TR, 35/3&4–2a-BR, 35–1b-B&H, 35–1f-B&H, 35–1-W, 35/3–1a-W
• IMPROMPTU OPUS 36: 36–1d-BR, 36–1-B&H, 36–1a-B&H, 36–1f-B&H, 36–1b-W
• NOCTURNES OPUS 37: 37–1d-BR, 37–1a-B&H, 37–1j-B&H, 37–1b-W
• BALLADE OPUS 38: 38–1b-BR, 38–1a-B&H, 38–2a-B&H, 38–1b-W
• SCHERZO OPUS 39: 39–1-TR, 39–1a-B&H, 39–1c-B&H, 39–1b-W
• POLONAISES OPUS 40: 40–1a-BR, 40–2-B&H, 40–2g-B&H, 40–1a-W
• MAZURKAS OPUS 41: 41–1a-B&H, 41–2c-B&H, 41–1b-W
• WALTZ OPUS 42: 42–1-P, 42–1a-B&H, 42–2d-B&H, 42–1c-W
• TARANTELLA OPUS 43: 43–1b-BR, 43–1c-SCHU, 43–1b-W
• POLONAISE OPUS 44: 44–1a-Sm, 44–1a-ME, 44–2b-ME, 44–1-W&S
• PRELUDE OPUS 45: 45–1-Sm, 45–2a-Sm, 45–1-ME, 45–1c-ME
• ALLEGRO DE CONCERT OPUS 46: 46–1a-Sm, 46–1-B&H, 46–1d-B&H
• BALLADE OPUS 47: 47–1a-Sm, 47–1-B&H, 47–1g-B&H, 47–1a-W
• NOCTURNES OPUS 48: 48/1–1a-Sm, 48/2–1b-Sm, 48–1-B&H, 48–1e-B&H, 48/1–1-W&S
• FANTASY OPUS 49: 49–1b-Sm, 49–1-B&H, 49–1c-B&H, 49–1b-W
• MAZURKAS OPUS 50: 50–1a-Sm, 50–1-ME, 50–2-ME, 50–1-W&S
• IMPROMPTU OPUS 51: 51–1-Sm, 51–1-W&S
• BALLADE OPUS 52: 52–1a-Sm, 52–1-B&H, 52–1c-B&H, 52–1-W
• POLONAISE OPUS 53: 53–1a-Sm, 53–1-B&H, 53–2b-B&H, 53–1-W
• SCHERZO OPUS 54: 54–1a-Sm, 54–1-B&H, 54–1b-B&H, 54–1-W
• NOCTURNES OPUS 55: 55–1-B&H, 55–1g-B&H, 55–1-W, 55/1–1a-W
• MAZURKAS OPUS 56: 56–1a-Sm, 56–1-B&H, 56–1b-B&H, 56–1-W
• BERCEUSE OPUS 57: 57–1a-MEIj, 57–1-B&H, 57–2a-B&H, 57–2g-B&H, 57–1-W
• SONATA OPUS 58: 58–1a-MEIj, 58–1-B&H, 58–1a-B&H, 58–1c-B&H, 58–1-W
• MAZURKAS OPUS 59: 59–1-BR, 59–1a-ST, 59–1-W
• BARCAROLLE OPUS 60: 60–1-BR, 60–1-B&H, 60–1c-B&H, 60–1-W
• POLONAISE-FANTASY OPUS 61: 61–1-BR, 61–1-B&H, 61–1b-B&H, 61–1-W
• NOCTURNES OPUS 62: 62–1-BR, 62/2–1a-BR, 62–1-B&H, 62–2e-B&H, 62–1-W
• MAZURKAS OPUS 63: 63–1c-BR, 63–1-B&H, 63–2c-B&H, 63–1-W
• WALTZES OPUS 64: 64–2-B&H, 64–2b-B&H
• WALTZ OPUS 64 NO. 1: 64/1–1-BR, 64/1–2-BRD&C, 64/1–1-CRB, 64/1–1a-CRB, 64/1–1c-CHAP, 64/1–1-W
• WALTZ OPUS 64 NO. 2: 64/2–1-BR, 64/2–1-CRB, 64/2–1a-CHAP, 64/2–1-W
• WALTZ OPUS 64 NO. 3: 64/3–1-BR, 64/3–1-W
• SONATA FOR PIANO AND CELLO OPUS 65: 65–1-BR, 65–1-B&H, 65–1a-B&H
• POSTHUMOUS WORKS OPUSES 66–73: Posth–1-MEIf, Posth–1-Sam
• FANTASY-IMPROMPTU OPUS 66: 66–1a-COM, 66–1-EW, 66–1a-Ae, 66–1-CO, 66–1a-CR
• MAZURKAS OPUS 67: 67–1b-Sam
• MAZURKAS OPUS 68: 68–1b-Sam
• WALTZES OPUS 70: 70/2&69/2–1c-WI, 70/2&69/2–1-W, 70/2&69/2–1-EW
• RONDO OPUS 73: 73–1a-GE
• SONGS OPUS 74: 74/10–1a-KO,74/1–1a-KO, 74–1a-G, 74–1d-G, 74–1b-Sam, 74–1-LW
• GRAND DUO CONCERTANT FOR PIANO AND CELLO: GDC–1-W, GDC–1a-A&P, GDC–1b-Ae
• HEXAMERON: HEX–1-RI, HEX–1-HAt, HEX–1-BR, HEX–1-CR/M
• MAZURKA DEDICATED TO EMILE GAILLARD: MEG–1c-CH
• MAZURKA FROM LA FRANCE MUSICALE: MFM–1-E, MFM–1b-SCH, MFM–1-W
• MAZURKA IN C MAJOR: MazC–1-SCH
• POLONAISE IN G- MAJOR: PolG-–1-SCH
• POLONAISE IN G# MINOR: PolG#m–1b-SCH
• 3 ETUDES FROM MÉTHODE DES MÉTHODES: MM–2-Sm, MM–1-Sam, MM–1-CHAP, MM–1a-CHAP, MM–1b-CHAP, MM–1c-CHAP
• VARIATIONS ON A GERMAN NATIONAL AIR: VGNA–1-R, VGNA–1-HAc
• WALTZ IN E MINOR: WaltzEm–1d-SCH