PL-Wbfc: Poland, Warsaw, Biblioteka Narodowego Instytutu Fryderyka Chopina

Impressions

• RONDO OPUS 1: 1–1a-HO, 1–1-Sm
• VARIATIONS OPUS 2: 2–1-HAt, 2–2-HAt, 2–1(Orch)-HAt, 2–1-Sm, 2–1a-BR
• POLONAISE FOR PIANO AND CELLO OPUS 3: 3–1a-ME, 3–1-Sm, 3–1b-BR
• SONATA OPUS 4: 4–1-HAc, 4–1a-COC
• RONDO OPUS 5: 5–1c-HO, 5–1g-HO
• MAZURKAS OPUS 6: 6–1c-BR, 6–1-KI, 6–1a-KI, 6–2a-KI
• MAZURKAS OPUS 7: 7–1-Sm, 7–2-BR, 7–1a-KI, 7–1b-KI, 7–2a-KI, 7–5-KI, 7–1e-W
• TRIO OPUS 8: 8–1-Sm, 8–1c-KI, 8–1b-W, 8–1c-A&P
• NOCTURNES OPUS 9: 9–1-Sm, 9–1b-Sm, 9–1-KI, 9–1b-KI, 9–1d-KI, 9/2–1d-KI, 9–2-KI, 9/2–3a-KI, 9–3b-KI, 9/1&2–1a-W
• ETUDES OPUS 10: 10–1b-Sm, 10–1d-LE, 10–1e-LE, 10/1-6–1b-KI, 10/1-6–2-KI, 10/1-6–3a-KI, 10/7-12–1-KI, 10/7-12–2-KI
• CONCERTO OPUS 11: 11–1d-BR, 11–1(Orch)-Sm, 11–1a*-KI, 11–1b-KI, 11–1(Orch)-KI
• VARIATIONS OPUS 12: 12–1c-B&H, 12–1d-B&H, 12–1e-B&H
• FANTASY OPUS 13: 13–1a-Sm, 13–1b-BR, 13–1a-KI, 13–1b-KI, 13–1a-W
• RONDO OPUS 14: 14–1a-BR, 14–1-KI, 14–1b-KI
• NOCTURNES OPUS 15: 15–1b-Sm, 15–1a-B&H, 15–1b-B&H, 15–2-B&H, 15–2g-B&H
• RONDO OPUS 16: 16–1c-Sm, 16–1a-B&H, 16–1c-B&H
• MAZURKAS OPUS 17: 17–1a-Sm, 17–1-B&H, 17–2b-B&H, 17–2c-B&H
• WALTZ OPUS 18: 18–1a-Sm, 18–1b-LE, 18–1-B&H, 18–3-B&H, 18–1d-W
• BOLERO OPUS 19: 19–1a-PR, 19–1-PE, 19–1a-PE
• SCHERZO OPUS 20: 20–1a-Sm, 20–1-B&H
• CONCERTO OPUS 21: 21–1c-BR, 21–1(Orch)-Sm, 21–1a-B&H, 21–1b-B&H, 21–1c-B&H, 21–2-B&H, 21–2a-B&H, 21–1(Orch)-B&H
• ANDANTE SPIANATO AND POLONAISE OPUS 22: 22–1-Sm, 22–1c-BR, 22–1-B&H, 22–1a-B&H, 22–1(Orch)-B&H
• BALLADE OPUS 23: 23–1a-Sm, 23–1-B&H, 23–1g-B&H
• MAZURKAS OPUS 24: 24–1-Sm, 24–1a-B&H, 24–2c-B&H, 24–1d-W
• ETUDES OPUS 25: 25–1a-Sm, 25–1b-LE, 25/1-6–1d-B&H, 25/1-6–2a-B&H, 25/1-6(sep)–2a-B&H, 25/7-12–1a-B&H, 25/7-12–1c-B&H, 25/7-12–2-B&H, 25/7-12(sep)–2-B&H, 25/7-12–2e-B&H
• POLONAISES OPUS 26: 26–1a-Sm, 26–1b-Sm, 26–1-B&H, 26–1a-B&H, 26–2a-B&H, 26–2b-B&H, 26–1c-A&P
• NOCTURNES OPUS 27: 27–1-Sm, 27–1-B&H, 27–1a-B&H, 27–1c-B&H, 27–1e-B&H, 27–1e-W
• PRELUDES OPUS 28: 28/1-12–1a-C, 28/1-12–1d-BR, 28/1-12–1e-BR, 28/13-24–1a-C, 28/13-24–1d-BR, 28/13-24–1e-BR, 28/13-24–1g-BRg, 28–1-B&H, 28–1d-B&H, 28–1i-B&H, 28/15-24–1d-A&P
• IMPROMPTU OPUS 29: 29–1a-Sm, 29–1-B&H, 29–1a-B&H, 29–1b-B&H, 29–2a-B&H, 29–2c-B&H, 29–2d-B&H, 29–2f-B&H, 29–1e-W
• MAZURKAS OPUS 30: 30–1-Sm, 30–1-B&H, 30–1a-B&H
• SCHERZO OPUS 31: 31–1-Sm, 31–1-B&H, 31–1a-B&H, 31–1b-W
• NOCTURNES OPUS 32: 32–1-Sm, 32/1–1a-Sam, 32/1–1c-Sam, 32/1–2a-Sam, 32/2–1a-Sam, 32/2–1b-Sam, 32/2–2-Sam
• MAZURKAS OPUS 33: 33–1a-Sm, 33–1-B&H, 33–1c-B&H, 33–2-B&H, 33–2a-B&H
• WALTZ OPUS 34 NO. 1: 34/1–1a-Sm, 34/1–1-B&H
• WALTZ OPUS 34 NO. 2: 34/2–1-Sm, 34/2–2-BRD&C, 34/2–1-B&H, 34/2–1c-B&H, 34/2–1d-B&H, 34/2–2a-B&H, 34/2–3a-B&H
• WALTZ OPUS 34 NO. 3: 34/3–1a-Sm, 34/3–1c-BR, 34/3–1-B&H, 34/3–1c-B&H, 34/3–1f-B&H
• SONATA OPUS 35: 35–1-TR, 35–1a-TR, 35–1b-B&H, 35/3–1b-B&H, 35/3–1c-B&H
• IMPROMPTU OPUS 36: 36–1a-TR, 36–1b-TR, 36–1-B&H, 36–1a-B&H, 36–1d-B&H
• NOCTURNES OPUS 37: 37–0*-TR, 37–1a-TR, 37–1b-TR, 37–1c-BR, 37–1-B&H, 37–1g-B&H, 37–1i-B&H
• BALLADE OPUS 38: 38–1-TR, 38–1b-BR, 38–1c-BR, 38–1d-BR, 38–1-B&H, 38–1b-B&H, 38–2-B&H
• SCHERZO OPUS 39: 39–1-TR, 39–1-B&H, 39–1a-B&H
• POLONAISES OPUS 40: 40–1-TR, 40–1a-BR, 40–1d-BR, 40–1a-B&H, 40–2-B&H, 40–2a-B&H, 40–1d-W
• MAZURKAS OPUS 41: 41–1-TR, 41–1b-BR, 41–1-B&H, 41–1a-B&H
• WALTZ OPUS 42: 42–0-P, 42–1-P, 42–1b-P, 42–1-B&H, 42–2-B&H, 42–2a-B&H
• TARANTELLA OPUS 43: 43–1a-TR, 43–1c-SCHU, 43–1f-SCHU
• POLONAISE OPUS 44: 44–1a-Sm, 44–1-ME
• PRELUDE OPUS 45: 45–2a-Sm, 45–1a-ME, 45–1b-ME
• ALLEGRO DE CONCERT OPUS 46: 46–1a-Sm, 46–1-B&H, 46–1b-B&H, 46–1c-B&H, 46–1-W&S
• BALLADE OPUS 47: 47–1a-Sm, 47–1-B&H, 47–1b-B&H, 47–1c-B&H, 47–1d-B&H
• NOCTURNES OPUS 48: 48/1–1a-Sm, 48/2–1a-Sm, 48–1-B&H, 48–1b-B&H, 48/1–1b-W
• FANTASY OPUS 49: 49–1a-Sm, 49–1-B&H, 49–1c-W
• MAZURKAS OPUS 50: 50–1a-Sm, 50–1-ME, 50–2-ME
• IMPROMPTU OPUS 51: 51–1-Sm, 51–1-HO
• BALLADE OPUS 52: 52–1-Sm, 52–1-B&H, 52–1b-B&H
• POLONAISE OPUS 53: 53–1-Sm, 53–1a-Sm, 53–1-B&H, 53–1b-B&H, 53–2-B&H, 53–2b-B&H
• SCHERZO OPUS 54: 54–1a-Sm, 54–1-B&H
• NOCTURNES OPUS 55: 55–1a-Sm, 55–1-B&H, 55–1a-B&H, 55–1b-B&H
• MAZURKAS OPUS 56: 56–1a-Sm, 56–1-B&H
• BERCEUSE OPUS 57: 57–1a-MEIj, 57–2a-B&H, 57–2c-B&H, 57–2e-B&H, 57–2f-B&H
• SONATA OPUS 58: 58–1a-MEIj, 58–1-B&H
• MAZURKAS OPUS 59: 59–1-BR, 59–1a-ST, 59–2-F
• BARCAROLLE OPUS 60: 60–1-BR, 60–1-B&H, 60–1a-B&H
• POLONAISE-FANTASY OPUS 61: 61–1-BR, 61–1-B&H
• NOCTURNES OPUS 62: 62–1-B&H
• MAZURKAS OPUS 63: 63–1-B&H, 63–2a-B&H
• WALTZES OPUS 64: 64–1-B&H, 64–2-B&H
• WALTZ OPUS 64 NO. 1: 64/1–1-BR, 64/1–2-B&H
• WALTZ OPUS 64 NO. 2: 64/2–1-BR, 64/2–1b-BR
• WALTZ OPUS 64 NO. 3: 64/3–1a-BR
• SONATA FOR PIANO AND CELLO OPUS 65: 65–1-B&H, 65–1a-B&H
• POSTHUMOUS WORKS OPUSES 66–73: Posth–1b*-Sam
• FANTASY-IMPROMPTU OPUS 66: 66–1a**-COM, 66–1h-GE, 66–1-Sam, 66–1a-Sam, 66–3a-Sam, 66–3b-Sam, 66–4-Sam, 66–4c-Sam, 66–4e-Sam
• MAZURKAS OPUS 67: 67–1b-GE, 67–1a-Sam, 67–1d-Sam
• MAZURKAS OPUS 68: 68–1-MEIf, 68–1-Sam, 68/4–2a-Sam
• WALTZES OPUS 69: 69–1-MEIf, 69–1b-GE, 69–1a-Sam, 69–1b-Sam
• WALTZES OPUS 70: 70/2&69/2–1c-WI, 70–1-MEIf, 70–1d*-GE, 70–1-Sam
• POLONAISE OPUS 71 NO. 1: 71/1–1-MEIf
• POLONAISE OPUS 71 NO. 2: 71/2–1-CHR, 71/2–1-MEIf
• POLONAISE OPUS 71 NO. 3: 71/3–1-MEIf, 71/3–1c-Sam
• NOCTURNE, FUNERAL MARCH, 3 ECOSSAISES OPUS 72: 72–1-MEIf, 72(sep)–1e-Sam
• RONDO OPUS 73: 73–1-MEIf, 73–1*-Sam, 73–1b-Sam
• SONGS OPUS 74: 74–1-G, 74–1-Sam, 74–1c-LW
• GRAND DUO CONCERTANT FOR PIANO AND CELLO: GDC–1c-Sam
• HEXAMERON: HEX–1b-Sam
• MAZURKA DEDICATED TO EMILE GAILLARD: MEG–1a-CH, MEG–1a-B&B
• MAZURKA FROM LA FRANCE MUSICALE: MFM–2a-BR
• MAZURKAS IN D, B-, G MAJOR, LENTO CON GRAN ESPRESSIONE: MazD,B-,G,Lento–1-L
• POLONAISE IN G# MINOR: PolG#m–1-K
• VARIATIONS ON A GERMAN NATIONAL AIR: VGNA–1-HAc
• WALTZ IN E MINOR: WaltzEm–1b-SCH, WaltzEm–1d-SCH