US-Cu: United States of America, Chicago, University of Chicago, Joseph Regenstein Library, Special Collections
Impressions
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RONDO OPUS 1:
1–1a-Sam,
1–1-HO,
1–1b-HO,
1–1a-W,
1–1-Sm
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VARIATIONS OPUS 2:
2–1-HAt,
2–1c-HAt,
2–2a-HAt,
2–1(Orch)-HAt,
2–1-Sm,
2–1b-BR&D,
2–1-W,
2–1c*-A&P
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POLONAISE FOR PIANO AND CELLO OPUS 3:
3–1a-ME,
3–1-R,
3–1b-W
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SONATA OPUS 4:
4–1-HAc
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RONDO OPUS 5:
5–1-HO,
5–1-W
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MAZURKAS OPUS 6:
6–1b-Sm,
6–1c-BR,
6–1-KI,
6–2-KI,
6–3-KI,
6–1-W,
6–1e*-W,
6–1f-W
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MAZURKAS OPUS 7:
7–1-Sm,
7–2-BR,
7–1a-KI,
+7–2-KI,
7–2a-KI,
7–3-KI,
7–6-KI,
7–1a-W,
7–1d-W,
7–1i-W
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TRIO OPUS 8:
8–1a-Sm,
8–1b-KI,
8–1c-KI,
8–1-W
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NOCTURNES OPUS 9:
9–1-Sm,
9–1d-BR,
9–1a-KI,
9–1c-KI,
9/2–1d-KI,
9–2-KI,
9/1&2–1-W,
9/3–1-W,
9/3–1c-W
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ETUDES OPUS 10:
10–1c-Sm,
10–1d-LE,
10/1-6–1-KI,
10/1-6–1a-KI,
10/1-6–2-KI,
10/1-6–3b-KI,
10/7-12–1-KI,
10/7-12–2-KI,
10/7-12–3a-KI,
10/1-6–1a-W,
10/1-6–1b-W,
10/7-12–1-W,
10/7-12–1a-W
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CONCERTO OPUS 11:
11–1-Sm,
11–1b-Sm,
11–1a-KI,
11–1b-KI,
11–1(Orch)-KI
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VARIATIONS OPUS 12:
12–1-Sm,
12–1a-B&H,
12–1c-B&H
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FANTASY OPUS 13:
13–1b-BR,
13–1-KI,
13–1b-KI
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RONDO OPUS 14:
14–1b-KI
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NOCTURNES OPUS 15:
15–1b-Sm,
15–1-B&H,
15–1a-B&H,
15–2-B&H,
15–2d-B&H,
15–1-W,
15–1e-W
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RONDO OPUS 16:
16–1a-PL,
16–1b-Sm,
16–1c-Sm,
16–1a-B&H,
16–1a-W
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MAZURKAS OPUS 17:
17–1a-Sm,
17–1-B&H,
17–1a-B&H,
17–2a-B&H,
17–2b-B&H,
17–2i-B&H,
17–1a-W
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WALTZ OPUS 18:
18–1a-Sm,
18–1b-LE,
18–1-B&H,
18–2a-B&H,
18–3-B&H,
18–1a-W,
18–1b-W
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BOLERO OPUS 19:
19–1a-PR,
19–1a-PE,
19–1d-PE,
19–1b-W
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SCHERZO OPUS 20:
20–1a-Sm,
20–1-B&H,
20–1b-B&H,
20–1c-B&H,
20–1-W
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CONCERTO OPUS 21:
21–1b-Sm,
21–1a-B&H,
21–1b-B&H,
21–1c-B&H,
21–2a-B&H,
21–1(Orch)-B&H
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ANDANTE SPIANATO AND POLONAISE OPUS 22:
22–1-Sm,
22–1-B&H,
22–1a-B&H,
22–1c-B&H
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BALLADE OPUS 23:
23–1a-Sm,
23–1-B&H,
23–1b-B&H,
23–1d-B&H,
23–1b-W
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MAZURKAS OPUS 24:
24–1-Sm,
24–1a-B&H,
24–1b-B&H,
24–2d-B&H,
24–1-W
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ETUDES OPUS 25:
25–1a-Sm,
25–1b-LE,
25/1-6–1a-B&H,
25/1-6–1c*-B&H,
25/1-6–2a-B&H,
25/7-12–1a-B&H,
25/7-12–1c-B&H,
25/7-12–2-B&H,
25/1-6–1c-W,
25/7-12–1d-W
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POLONAISES OPUS 26:
26–1b-Sm,
26–1-B&H,
26–1a-B&H,
26–2a-B&H,
26–2b-B&H,
26–2d-B&H
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NOCTURNES OPUS 27:
27–1-Sm,
27–1-B&H,
27–1b-B&H,
27–1c*-B&H,
27–1e-B&H,
27–1i-B&H
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PRELUDES OPUS 28:
28/1-12–1a-C,
28/1-12–1e-BR,
28/13-24–1a-C,
28/13-24–1e-BR,
28–1-B&H,
28–1d-B&H,
28–1m-B&H,
28/1-14–1-W,
28/1-14–1b-W,
28/15-24–1b-W
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IMPROMPTU OPUS 29:
29–1a-Sm,
29–1a-B&H,
29–1b-B&H,
29–1d-B&H,
29–2a-B&H,
29–2b-B&H,
29–1c-W
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MAZURKAS OPUS 30:
30–1-Sm,
30–1-B&H,
30–1b-B&H
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SCHERZO OPUS 31:
31–1-Sm,
31–1-B&H,
31–1a-B&H
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NOCTURNES OPUS 32:
32–1-Sm,
32/1–1e-Sam,
32/1–2b-Sam,
32/2–1b-Sam,
32–1d-W,
32/1–1h*-W
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MAZURKAS OPUS 33:
33–1b-Sm,
33–1b-B&H,
33–1c-B&H,
33–2f-B&H
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WALTZ OPUS 34 NO. 1:
34/1–1a-Sm,
34/1–1b-B&H,
34/1–1c-B&H,
34/1–1a-W,
34/1–1i-A&P
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WALTZ OPUS 34 NO. 2:
34/2–1-Sm,
34/2–1a-B&H,
34/2–1b-B&H,
34/2–1c-B&H,
34/2–1d-B&H,
34/2–2a-B&H
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WALTZ OPUS 34 NO. 3:
34/3–1a-Sm,
34/3–1-B&H,
34/3–1a-B&H,
34/3–1c-B&H,
34/3–1e-B&H,
34/3–1f-B&H,
34/3–1j-B&H
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SONATA OPUS 35:
35–1b-TR,
35–1c-BR,
35/3&4–2a-BR,
35–1-B&H,
35–1a-B&H,
35–1f-B&H
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IMPROMPTU OPUS 36:
36–1f-BR,
36–1-B&H,
36–1a-B&H,
36–1g-B&H,
36–1-W,
36–1a*-W
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NOCTURNES OPUS 37:
37–1-TR,
37–1a-TR,
37–1d-BR,
37–1-B&H,
37–1g-B&H,
37–1j-B&H
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BALLADE OPUS 38:
38–1-TR,
38–1-B&H,
38–1b-B&H,
38–2-B&H
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SCHERZO OPUS 39:
39–1-B&H,
39–1d-B&H
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POLONAISES OPUS 40:
40–1-TR,
40–1-B&H,
40–1a-B&H,
40–2c-B&H,
40–2g-B&H,
40–1c-W
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MAZURKAS OPUS 41:
41–1a-TR,
41–1-B&H,
41–1a-B&H,
41–2c-B&H,
41–1a-W
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WALTZ OPUS 42:
42–1-P,
42–1-B&H,
42–1a-B&H,
42–2b-B&H,
42–2e-B&H,
42–1-W
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TARANTELLA OPUS 43:
43–1b-SCHU,
43–1e-SCHU,
43–1f-SCHU,
43–1a-W,
43–1-RI
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POLONAISE OPUS 44:
44–1a-Sm,
44–1-ME,
44–1d-ME,
44–2b-ME,
44–1a-W
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PRELUDE OPUS 45:
45–2a-Sm,
45–2c-BR&D,
45–1c-ME
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ALLEGRO DE CONCERT OPUS 46:
46–1a-Sm,
46–1-B&H,
46–1d-B&H
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BALLADE OPUS 47:
47–1a-Sm,
47–1-B&H,
47–1d-B&H,
47–1f-B&H
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NOCTURNES OPUS 48:
48/1–1*-Sm,
48/1–1a-Sm,
48/2–1b-Sm,
48–1-B&H,
48–1b-B&H
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FANTASY OPUS 49:
49–1b-Sm,
49–1-B&H,
49–1b-B&H
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MAZURKAS OPUS 50:
50–1a-Sm,
50–1b-BR,
50–1-ME,
50–2-ME,
50–1a-W&S
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IMPROMPTU OPUS 51:
51–1-Sm,
51–1a-Sm,
51–1b-BR&D,
51–1-HO,
51–2-HO
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BALLADE OPUS 52:
52–1-Sm,
52–1a-Sm,
52–1-B&H
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POLONAISE OPUS 53:
53–1-Sm,
53–1b-B&H,
53–1c-B&H,
53–1a-W
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SCHERZO OPUS 54:
54–1-Sm,
54–1a-Sm,
54–1-B&H
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NOCTURNES OPUS 55:
55–1a-Sm,
55–1-B&H,
55–1a-B&H,
55–1h-B&H,
55–1a-W
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MAZURKAS OPUS 56:
56–1a-Sm,
56–1-B&H,
56–1a-W
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BERCEUSE OPUS 57:
57–1a-MEIj,
57–1-B&H,
57–2-B&H,
57–2c-B&H,
57–2g-B&H,
57–1b-W,
57–1d*-W
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SONATA OPUS 58:
58–1a-MEIj,
58–1-B&H,
58/2–1a-B&H,
58–1b-B&H
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MAZURKAS OPUS 59:
59–1-BR,
59–1a-ST,
59–1a-W
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BARCAROLLE OPUS 60:
60–1-BR,
60–1-B&H,
60–1a-B&H
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POLONAISE-FANTASY OPUS 61:
61–1-BR,
61–1-B&H,
61–1a-W
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NOCTURNES OPUS 62:
62–1-BR,
62–1-B&H,
62–2-B&H,
62–2e-B&H
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MAZURKAS OPUS 63:
63–1a-BR,
63–1b-BR,
63–1c-BR,
63–1-B&H,
63–2-B&H,
63–2d-B&H,
63–1a-W
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WALTZES OPUS 64:
64–1-B&H,
+64–2-B&H
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WALTZ OPUS 64 NO. 1:
64/1–1-BR,
64/1–2-BRD&C,
64/1–1a-B&H,
64/1–1-CRB,
64/1–1b-W,
64/1–1c-W
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WALTZ OPUS 64 NO. 2:
64/2–1-BR,
64/2–1a-B&H,
64/2–1*-CRB,
64/2–1a-W
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WALTZ OPUS 64 NO. 3:
64/3–1-BR,
64/3–1a-B&H,
64/3–1d-B&H,
64/3–1a-W
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SONATA FOR PIANO AND CELLO OPUS 65:
65–1-BR,
65–1a-BR&D,
65–1-B&H,
65–1d-B&H
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POSTHUMOUS WORKS OPUSES 66–73:
Posth–1-MEIf
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FANTASY-IMPROMPTU OPUS 66:
66–1g-GE,
66–2a-Sam,
66–3-Sam,
66–3a-Sam
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MAZURKAS OPUS 67:
67–1c-GE,
67–1-Sam
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MAZURKAS OPUS 68:
68–1-Sam
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WALTZES OPUS 70:
70/2&69/2–1c-WI,
70/2&69/2–1-EW,
70–1-Sam
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POLONAISE OPUS 71 NO. 1:
71/1–2-Sam
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POLONAISE OPUS 71 NO. 2:
71/2–1a-Sam
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NOCTURNE, FUNERAL MARCH, 3 ECOSSAISES OPUS 72:
72–1d-Sam
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RONDO OPUS 73:
73–1e-GE,
73–1-Sam
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SONGS OPUS 74:
74–1a-Sam,
74–1c-Sam,
74–1d-Sam,
74–1g-Sam,
74–1h-Sam,
74–1-H
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GRAND DUO CONCERTANT FOR PIANO AND CELLO:
GDC–1a-Sm,
GDC–1-Sam
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HEXAMERON:
HEX–1-HAt
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MAZURKA DEDICATED TO EMILE GAILLARD:
MEG–1a-B&B
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MAZURKA FROM LA FRANCE MUSICALE:
MFM–1a-E,
MFM–2-BR,
MFM–1a-SCH,
MFM–1c-SCH,
MFM–1a-W
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MAZURKA IN C MAJOR:
MazC–1a-SCH
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POLONAISE IN G- MAJOR:
PolG-–1a-SCH
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POLONAISE IN G# MINOR:
PolG#m–1-K,
PolG#m–1a-SCH,
PolG#m–1b-SCH
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3 ETUDES FROM MÉTHODE DES MÉTHODES:
MM–1b-Sam
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VARIATIONS ON A GERMAN NATIONAL AIR:
VGNA–1-HAc
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WALTZ IN E MINOR:
WaltzEm–1-SCH,
WaltzEm–1b-SCH